Tuesday, 12 July 2011

In The News: Flying Lotus, Radiohead, Arcade Fire, David Byrne

Quite a few things to get through this time around. I only planned to do a couple but things kind of got out of hand. Oh well.

Flying Lotus

This is the cover of hip-hop spacemonger Flying Lotus' gargantuan new mix, Lovers Melt 2, the sequel to his Stones Throw Podcast #66: Lovers Melt he provided for the label a few months back. It's nigh-on two and a half hours long. You know my previous post, Summer Playlist For 2011? Yeah, forget about it, for it has been overshadowed. FlyLo says "Some of my favorite songs ever.. Some you know, some you might not..". Download it *here or pick it up from his Brainfeeder label's site.

Meanwhile FlyLo's buddy Thom Yorke's band Radiohead have been busy recording their special From the Basement episode, the show from longtime Radiohead producer Nigel Godrich. The episode shows the band playing their recent album The King Of Limbs in its entirety, and showcased two new songs: "Staircase" and "The Daily Mail". They were also joined by Portishead's drummer, Clive Deamer. As they say, two 'heads are better than one, (moan).

The band have also commissioned a series of 12" remix singles of the TKOL album tracks. The first features Caribou's take on "Little By Little", whilst Jacques Greene tackles "Lotus Flower", and is out now. The second is reported to feature a take on "Morning Mr. Magpie" from Nathan Fake, and two "Bloom" remixes from Mark Pritchard. SBTRKT is supposedly also working on a Radiohead remix, though we can't be entirely sure at this stage whether it'll be officially released as part of this series. Here's hoping.

The special From The Basement episode premiered on Spain's Canal+ last Friday, and is available below, thanks to the magic of Youtube. Check your TV schedules to see when it'll be broadcast in your country (via BBC Worldwide). Also below is the first remix single for the streaming.

Arcade Fire, David Byrne
Arcade Fire's Spike Jonze-directed short Scenes From the Suburbs has finally surfaced. A shortened snippet served as the music video for the title track from The Suburbs last year, but now the entire 30 minute film is available right about here. Scenes From the Suburbs will also soon be packaged with the deluxe edition of The Suburbs, alongside two new bonus tracks: "Culture War" and "Speaking in Tongues", the latter of which features contributed vocals from Talking Heads' David Byrne, appropriately enough. Now that's three Heads in one post!

Music video for "The Suburbs" is below, as well as a trailer for Byrne's documentary Ride, Rise, Roar, which has recently been released on Blu-Ray and DVD by Eagle Rock Entertainment. The film, directed by David Hillman Curtis, documents Byrne's 2009 tour behind the Everything That Happens Will Happen Today album, a collaboration with Brian Eno. Check Amazon, as I always say.

Lastly, Brian Eno's new album, Drums Between the Bells has just been released via Warp Records, and might just be the best thing since sliced bread, in this bloggers humble opinion. Just thought I'd throw it out there.

Sunday, 3 July 2011

Summer Playlist for 2011

A list of songs from the past twelve months to get ready for the summer weeks ahead. These are the ones I'll mainly be spinning, though of course there are others from previous years that have become mainstays, just trying to be original. Great for any upcoming barbecues, or journeys to and from festivals. I'd give them a shuffle mind, as they'e largely come straight from memory, with no particular order to them. I might come back here to add more if I think of any. Sit back with a choice cool beverage and enjoy.

Cut Copy - "Take Me Over"
The Pains of Being Pure at Heart - "Heart in your Heartbreak"
Belle & Sebastian - "I Didn't See it Coming" (Richard X Remix)
Smith Westerns - "Weekend"
Washed Out - "Eyes Be Closed"
Nicki Minaj - "Super Bass"
TV on the Radio - "You"
Toro Y Moi - "New Beat"
Hercules & Love Affair - "My House"
Beastie Boys - "Make Some Noise"
Battles ft. Matias Aguayo - "Ice Cream"
Death Cab for Cutie - "You Are a Tourist"
Cults - "Go Outside"
My Morning Jacket - "Circuital"
Times New Viking - "No Room to Live"
Thee Oh Sees - "I Need Seed"
Unknown Mortal Orchestra - "Ffunny Frends"
Givers - "Ceiling of Plankton"
Gruff Rhys - "Honey All Over"
Pure X - "Dream Over"
Antlers - "I Don't Want Love"
Fleet Foxes - "Battery Kinzie"
Yuck - "Get Away"
Metronomy - "The Bay"
Foster The People - "Pumped Up Kicks"
Dom - "Living in America"
Anamanaguchi - "Airbrushed"
The Lonely Island ft. Akon - "I Just Had Sex"
Jamie xx - "Far Nearer"
Beastie Boys ft. Santigold - "Don't Play No Game That I Can't Win" (Major Lazer Remix)
Stephen Malkmus and the Jicks - "Senator"
Sun Airway - "Wild Palms"
Ariel Pink's Haunted Graffiti - "Fright Night (Nevermore)" (Dâm-Funk Remix)
Duck Sauce - "Barbra Streissand"
Handsome Furs - "Bury Me Standing"
Black Lips - "New Direction"
Dum Dum Girls - "He Gets Me High"
Clams Casino - "Motivation"
Marissa Nadler - "The Sun Always Reminds Me of You"
Kurt Vile - "Jesus Fever"
Woods - "Pushing Onlys"
No Age - "Fever Dreaming"
Panda Bear - "Last Night at the Jetty"
Deerhunter - "Desire Lines"
The Horrors - "Still Life"
Ty Segall - "You Make the Sun Fry"
The War on Drugs - "Baby Missiles"
Frank Ocean - "Nature Feels"
Gunnar Bjerk - "Back Then"
Fucked Up - "Queen of Hearts"
Bibio - "K Is for Kelson"
Holy Ghost! - "Wait and See"
The Go! Team ft. Bethany Cosentino - "Buy Nothing Day"
Cold Cave - "The Great Pan Is Dead"
Gang Gang Dance - "Glass Jar"
Big K.R.I.T. ft. David Banner - "Sookie Now"
The Strokes - "Under Cover of Darkness"
The Rapture - "How Deep Is Your Love?"
Aloe Blacc - "I Need a Dollar"
PJ Harvey - "Written on the Forehead"
Justice - "Civilization"
YACHT - "Dystopia (The Earth Is on Fire)"
Sufjan Stevens - "Too Much"
Lykke Li - "I Follow Rivers" (Dave Sitek Remix)
Lupe Fiasco - "The Show Goes On"

Friday, 1 July 2011

Review: Bon Iver, Bon Iver

Listen to Bon Iver - Bon Iver below, and download the album track "Calgary" here: *mp3: Bon Iver - "Calgary"

Let me start with a confession. I never really have totally gotten into For Emma, Forever Ago, the 2008 album that was the first release songwriter Justin Vernon released under the name Bon Iver. That debut may have received universal acclaim everywhere else, but for me it resembles a collection of sparsely recorded acoustic, melancholic folk songs, nothing more, nothing less. Don't get me wrong, Vernon was clearly capable at what he was doing, but for some reason the songs have never clicked with me as of yet. But I'm hoping they will someday, and Bon Iver's sophomore full length has given me more than enough reason to keep that particular door ajar.

Certainly everyone else's reaction to For Emma was much more positive, in terms of both critical acclaim and sales. Part of the reason for that is likely to be in the story behind the record. Who can resist the romantic idea of a lone figure seeking refuge in a log cabin in the middle of nowhere, complete with he breakup of his previous band and relationships, and leaving with a record of such emotional turmoil? It seems as though every one of Vernon's peers have attempted it since. Meanwhile Vernon was out there working on other projects, after For Emma had helped him to shed his skin: a follow-up EP Blood Bank, the Volcano Choir, Gayngs, and most recently vocal contributions to Kanye West's most recent album, each one of them proving that debut was more than just a fluke, and each one raising the status for its true sister record to bear, the almost-self-titled Bon Iver.

Supposedly three years in the making, though only announced a couple of months ago, it was clear from an early point that any successor to For Emma would be a much more distant relative. And the release of "Calgary" proved that. The Bon Iver style before now has been known to be relatively silent and minimal, however "Calgary" is a complete 180 of that idea. Every space has been filled with lush sounds, a huge number of merged instruments, both acoustic and synthetic, each building the song's momentum to cap it off with a huge aching crescendo, and the feedback as the recording technology fails to contain each sound's individuality. Perhaps the only immediate tie any of Bon Iver's previous songs can hold to this or any of the songs on Bon Iver (or Bon Iver, Bon Iver) is the haunting falsetto of Justin Vernon, the only element of his previous songs that was prepared to step out of the cabin and tackle his subject matters face-to-face.

Despite the added instrumentation it is still this voice that guides the songs, which is probably the reason Vernon decided to publish his lyrics on his website shortly after the album had been sadly inevitably leaked. Both Vernon's words and their delivery are at the heart of the music of Bon Iver, and as a songwriter and a singer he remains as sharp as ever. The images he paints for "Michicant" are my favourite, the childhood and adolescent memories and longing for the past: "I was unafraid, I was a boy, I was a tender age". And of course Vernon can hold a tune like none other, whether it be on the hushed "Wash.", the stronger country-shuffled "Towers", or the brash, autotuned closer "Beth/Rest".

Speaking of that final track, it has proven to be the most divisive of all, sounding somewhere between Vernon's soft-rock project Gayngs and the production of the Kanye record he more recently featured on, My Beautiful Dark Twisted Fantasy (although Blood Bank's "Woods" is a truer starter for Vernon's foray into vocal effects). "Beth/Rest" sounds like a cloudy, forgotten 80's radio rip, with confident guitar lines cutting up the track's Casiotone keyboard sounds. It makes sense for this to be the ending track on the album, it shows a totally different Bon Iver, one that is completely strong and unashamed, a symbol of the complete change from the For Emma period, and hope for the future. It remains conscious, not reactionary or strategic, and all songs on Bon Iver retain themes of isolation and introspection regardless of the money, fame, production values and instrumentation, a very difficult balance to have preserved.

Bon Iver and For Emma, Forever Ago are in fact more similar than they may seem, and a great number of criticisms the new record have already and may continue to attract can in truth be projected onto the first, particularly regarding the sound quality and atmospherics, which do justice to the sounds of both albums. I'm often of the belief that a change is usually a good thing, despite its initial intimidation, and if you've noticed my previous blog post this is reflected in many of my favourite albums of the year so far (Radiohead's The King of Limbs and Battles' Gloss Drop spring to mind). The fact remains that Justin Vernon remains one of the best vocalists and songwriters of our times, and the public seem to have responded to this. Bon Iver is currently sitting at the #2 position on the Billboard charts and is at #4 in the UK, both after the albums' first week of release. Bon Iver the project is also here to stay, and all the better for it. Even though there are mixed responses to this release under the name, I predict that the superior songwriting, lyricism and sheer beauty of this record will eventually warm the hearts of many, just as one day For Emma will warm mine.

Bon Iver - Bon Iver